dog You alone make my song take flight ...
Help me, make the music of the night ...
love ghost that inhabits the Opera Garnier in Paris by the young soloist Christine Daae plunges you into a whirlwind of sensations and feelings that I rescued for a moment of darkness in which they live, this murky refuge that is home-theater-deep and that saves him from scrutinizing eyes and disdainful of people who could not bear to see his face deformed. Your best companions are the inspiration and artistic creation that fill your days with excitement. His troubled spirit of emotional contradictions, which leads to haunt the cast Opera, believe seeing a light in the midst of these infinite gray areas in which it is immersed when you feel the proximity of Christine and think about the possibility of a future for his side finally leaving the shadows.
The Phantom of the Opera (2004) is a film directed by American film director Joel Schumacher (1939) and scored by British composer Andrew Lloyd Webber (1948) and has in its cast with remarkable performance by Gerard Butler (the Phantom), Emmy Rossum (Christine) and Patrick Wilson (Raoul). This film takes the music composed by Webber in 1986 and is based on the novel ( Le fantome de l'opéra , 1910) by French writer Gaston Leroux (1868 - 1927). The plot is set in nineteenth century Paris, more precisely at the Opera Garnier the same as they claim their employees are delighted by the presence of a spectrum that everyone knows as the Phantom of the Opera which causes accidents and murders and blackmails their managers to give money in return for not causing major damage. However, the ghost is the composer of most works that are represented on the stage with great success and attendance of a select audience of the city.
Christine Daae, the soloist of the ghost comes to love, not only captivates with its beauty and good voice but also by their noble sentiments. She has felt since childhood accompanied by an angel of music stores that promised to them by their father to die. Christine confuse this angel, this inspiration, with the phantom of the opera that will not only necessary for estrus acting and singing but in the end you will find the solitude of his life and nostalgia for the loss of his father. She manages to achieve fame by replacing the prima donna Carlotta, a coloratura soprano with diva that because of an accident caused by the ghost is forced to leave the scene temporarily. When up on stage the young Vicomte Raoul de Chigny be in love with her. To see her again after buying the opera house remembered as the friend of childhood of which he was hooked. Thus, there will be a timeless love triangle where Christine and Raoul will be redeemed as a ghost to the finals must escape the persecution of the people and abandon its hope of a life next to his muse to return to hide from everything and all in a secret hiding place that we have no reference.
Of the characters that make up this love triangle is definitely the phantom of the opera the most seductive and captivating, not only by his apparently estranged love but for the hope that it is able to live a days love to accompany him beyond his physical ugliness. Deformation of the face is an allegory that speaks to the emotional insesto that happens but that does not stop dreaming of overcoming the same finding in a person like Christine relief to such discomfort. While it carries with it a painful past she will believe in the young singer to see the stimulus required to leave behind the past penalties. In that sense, it is arguably a legitimate claim that the ghost does to Christine who has decided to love Raoul and not him. However, as the heart can not send finally the ghost will have to step aside and let live their romance while he will add a new pain known and unfortunate fact of his deformity, being alone.
could not say that his is a madness of love in the terms posed Baumann individualized society, because it seeks to digest and consume the love of Christine. Theirs is a desperate love, fearing condemnation can not find another body to love and to love, and so is looking to hold on to Christine. We can not but sympathize with the unfortunate ghost that really has little or nothing, because beyond his incredible talent should find inspiration in platonic love that can not ever live in the flesh. Then, the real victim of a plot like this is nothing but the phantom of the opera that is the most illustrious figure of melodrama that is his life and can not escape the fact of having to star in the same way more than dramatic as moving. It is a melodrama that does not choose to live and who does not consent to the possibility of solving it with a happy ending. What ever you want and suffering and makes it beyond the prototype of the tormented impossible love that could be known.
The music of this work in undeniably beautiful cove on the sensitivity of the viewer in a sensitive manner and then discover a whole range of vibrations that report the feelings and sentiments of our protagonists. Each of the arias, duets and choruses shine for his musicality and the noble simplicity of his bill. Webber's genius is again found to be delighted with each of the notes that are sung throughout the plot, when many years after the tragedy that took the managers of the theater to close it Raoul returned to visit the grave of his wife Christine and see someone else already has been anticipated, leaving a red rose with a black tie and a ring, the unmistakable stamp of phantom of the opera.
So many years have passed, the lives of everyone and the city have changed and in the autumn of their lives both men recall the same woman: Raoul, whose love for his wife Christine transcends her death and the ghost of the opera, experiencing a particular devotion to her and has come to pay memory and saying quietly, and with just a red rose with a black ribbon is simply love that lasts forever.
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